Category: Art

Exclusive Interview with Lullabies for the Lost

- Just in case you’re not in the loop, Lullabies for the Lost is this phenomenal one person act with musical recluse Mike Jensen making some of the trippiest music around. Sourbrains was lucky enough to get an exclusive interview. You can also find the music on soundcloud.com/lullabies-for-the-lost or his website- www.lullabiesforthelost.com/
How would you describe your music and what instruments do you use? And what genre would you call it?
“I usually loosely describe it as trip-hop when I explain the project to people which usually makes them think of like Massive Attack or Portishead but it’s really more in the vibe of Dj shadow’s “Endtroducing…..” and “Private press.” I use a lot of samples but I also try and play as much of it as I can as well. Technically there are no instruments on the EP at all. I have a couple cheap midi keyboards I picked up over the years and the micro phone from rock band Wii so we are talking no budget production here just using whatever I had and hacking it together to make it work. As for the sampled instruments on the EP the most prominent one is a Japanese folk instrument called a Koto. It just has this very distinct sound that I just love.”

What’s the best compliment you’ve ever had?
“As far as this project goes I think the best compliment I’ve received so far was “Wow this doesn’t suck nearly as much as stuff you normally play”. (Mike laughed) At least I think that was a compliment. I don’t think I’ve ever really had any people come up and tell me “wow this is the most amazing thing I have ever heard it changed my life.” Normally I just get “it’s not bad…. when’s your next show?” It’s really just the little the little bits of encouragement that keep me going.”

Who/what influenced you the most growing up?
“I really got into popular music in high school listening to Nirvana (well after it was cool btw) Weezer , 311 , Incubus and Deftones then starting branching out into electronic music mostly trance back then, I loved Paul Oakenfolds radio 1 mix. For the person who not so much influenced but supported me most with music was my dad. He would listen to the absolute worst music, couldn’t carry a tune to save his life and I don’t think ever picked up and instrument but he bought me my first guitar and would buy me a new piece of kit for my birthday or Christmas much to the anger of my step mother. He also let me go out in the garage and just wail away on a little peavey 15 watt amp that must have just sounded like I was running a car though a wood chipper but he never complained and was always supportive of all of my projects.”

Who/what inspires your music, or: what music do you listen to now?

“Lullabies for the Lost was very heavily inspired by DJ Shadow’s “Endtroducing…..” And also by bands like Boards of Canada, Team sleep, Röyksopp and Sigur Rois. LFTL has been a bit of a departure from what I’ve been DJing for the last few years which has been predominantly heavy indie electro stuff like Le Castle Vania, boyz noise, MSTRKRFT, and Daft Punk.”

How far along is this collection of Lullabies for the Lost? Are you planning on an album? If so, when?
“I have about 5 songs finished for the EP so far. A good friend of mine who is just a studio wizard and I are going to be finishing production and mastering the tracks in the next few weeks so the EP should be ready for release about mid-December. Then I plan on playing out as much as I can to support the EP while working on producing some new tracks. Once there is enough interest and support in the project I’ll work on releasing a full album, I’m hoping about mid-summer for the full length.”

What mental state are you in when creating music?
“Utter mental and physical exhaustion. I was (and still am) working two jobs and going to school, averaging about 70 something hours a week and sleeping for maybe 4-5 a night if I was lucky. In that state I didn’t want to listen to anything too fast or heavy I just wanted music to chill out to on my long drive home from work in the middle of the night. Something I could just throw on when I left work and space out too and the next thing I knew I would be pulling in my driveway.”

Are you disappointed with your lack of lustful groupies? Isn’t that why every guy takes up music?
“To be disappointed one had to expect that first. I think making music is a lot like owning a BMW sports car in this respect. Guy buy it and think man this is a great looking car, they only built like 500 so its super rare, and it has the performance and styling upgrade package and some ultra-light rims and thinks girls are going to think this car is so fucking sweet and be crawling over each other to get with him. Then only other car guys ever care about the car and all the girls he tries to talk to about it just look bored or tell him they like his Mercedes. Music is kinda this same way if you go into it just to try and impress people you’re doing it wrong. I know personally in my 15 years of playing in bands and DeeJaying it has never once ever impressed a girl. The real trick is being able to play a show with 5 people and make that the best show you ever had.”

What qualities, besides talent, do you think are most important in a musician?
” I really think being able to evoke an emotion in someone is critical it lets you connect to your audience and have them take the ride with you. If your music doesn’t make people feel anything then what’s the point?”

What is your favorite vice?
“I don’t know that I would call it a vice but I pretty much live on coffee, cigarettes and Rock star energy drinks. It’s not a vice, but more of an addiction. ”

When/where are you happiest?
“I’m happiest out interacting with a crowd. Not so much giving a performance, but interacting with the audence and bringing them with me and sharing something”.

How would you like to die?
“Doing 200 mph in a super car that’s on fire and flying through the air seems like a pretty bad ass way to go.”

Once again, you can find his work at:

“He Was Just Visiting…” – A Work (Possibly?) In Progress by Rob Bishop

Blue.Eye.FearI’m awake far earlier than I expected to be this morning, so I got the random inspiration to attempt the resurrection of any story-writing ability I may have ever had. This is what came out. Critiques are welcome, but let’s try to keep the “dude you’re fucked up”s to a minimum, shall we?

 

 

He Was Just Visiting…

He was just visiting. Always just a visitor here, never belonging, never quite at any kind of peace with his surroundings, never anything closer than something left of center. The space between the air colored by his existence there just didn’t blend with the background. He was just skilled or stealthy enough to effortlessly glide past the careless, inobservant or just plain apathetic eye. So it was and so it had always been. That was, in most cases, more camouflage than he needed, and certainly more than enough to get by.

This time it was someone he knew, which was an unfortunate circumstance in his particular profession. In this instance it was a girl, and someone who unfailingly incited a smile across his dimly expressive features. She was working the night shift on the fourth floor; the interim tomb which housed the dying and nearly dead. She was someone from what you could accurately describe as a past life, though not in the same sense that the cycle of becoming acquainted with the pale horse’s rider and returning to wormy earth to rot had come full circle. She was someone whose less than virtuous character traits he chose to ignore, for the simple reason that he allowed himself to enjoy what little mortal comfort there was in the space of the fractions of seconds between a smile of recognition, the embrace of honest friendship that always followed, and the tiny moment of awkward silence that shared space with the dissipation of warmth after the parting of clothes and skin. He had always thought of her with fond remembrance, and a silent reverie he rarely allowed himself for anyone.

On his way out of the elevator as it made its characteristic “ding” and the digital display lit up with the number four, he passed a girl he did not recognize from his earlier visits here, presumably an LNA or something along those lines, going about her business, nothing terribly distinguishing about her at all, really. In her wake though; that little void of air someone leaves behind with every forward step, that absence of space where the bleach and sterile-smelling molecules once resided, was flooded with the unmistakable scent of a very familiar perfume as their paths paralleled in opposite directions. His lungs, purely by reflex and perhaps cellular memory reacted, and filled themselves to capacity.

He thought it funny, amusing in a slightly twisted way, how what was once and somewhat still his favorite scent could flood his mind with pleasant memory and in less than the space of a moment, drive him to undeniably consider throwing himself from one of the fourth story windows. The past always finds some kind of inopportune instant to remind you of the failures you play closest to your chest.

He turned to the left out of the elevator and continued with a determined gait down one of the many long, fluorescently lit, sterile and generally uninviting corridors toward the patient rooms and tiny staff area, which he knew was sure to be deserted at this time of night. At least, it would be deserted except for the object of his night’s mission. Aside from the one girl walking in the opposite direction in the last hallway, he saw not another single body, not even as he passed the nurse’s station. At least that would make his work slightly easier. He took no particular pleasure in what he did, or had to do, he just knew it had to be done. He wasn’t even entirely sure how he knew, just that it was a conviction of the kind he never felt in any other aspect of his hollow life.

After another two hallways, he found her, back turned to him, right outside the staff area filling a pitcher with ice and water, presumably for one of the patients in her charge that night. She turned around with a slight start, hidden almost immediately when she recognized who was behind her. Her honey-blonde hair swept over her shoulder as her head turned toward him just slightly before the rest of her body, in a graceful motion he had always appreciated about the fairer sex. Something about the pivot from the hips that always seemed of especially elegant design only found in females. She tilted her head up to meet his eyes, as there was almost a full foot’s difference in their height, and smiled at him in that way of hers that always seemed to bring color into his world. He could never help but smile back, most often with absolutely nothing to say beyond ‘Hi.’ His vocabulary when it came to responding to the affections of women was stunted, at best.

She grabbed his hand in hers, so small and delicately articulate, and led him into the small staff area just beyond the ice and water machine she had been standing in front of when he unintentionally surprised her from behind. Idle conversation followed as it inevitably was bound to do, but he never took his eyes off the smile that both played across her lips and in the corners of her eyes. From his meager understanding of emotion and how it displayed itself in facial features, he knew she was genuinely happy to see him. It only made him even more despondent with what he knew he had to accomplish before leaving the hospital. She backed up against the wall to the right of the staff refrigerator with her hands linked behind her back and her head slightly cocked to one side as she always did when she was totally comfortable around someone. He took this as one of the highest compliments, and wished it meant something more than that he did his job incredibly well. He asked her how her night was going, how the patients were treating her, and other such insignificant details of her life since he had last seen her. She responded in that meek voice that he had come to love hearing, until there was a moment of silence between them, just breathing… she never stopped smiling.

He stepped in closer to her, not a foot between them while looking directly into her eyes. He could tell by the expression on her face that she was slightly surprised, but by the quickening in her breathing and the rising and falling of her chest that she was also excited. He placed his left hand on her corresponding shoulder for a moment; she cast a quick glance down toward it and silently peered back into his eyes once again. He brought his hand up to the side of her face, the back of his fingers just barely touching the porcelain skin and brushing a few strands of hair back beyond her ear. The pale in the skin under her eyes flushed for just a few short seconds, and he resigned himself to what he had to do with a slight twinge of sadness that it would be the last color he would ever see in her skin. He knew from experience that the memory would linger like the echo of a ghost for as long as he drew breath.

The slender, silver blade slid silently down his right forearm, under the sleeve of his coat until only about four inches were exposed; that was all he needed. Before she could register what was happening, or avert her gaze, he brought his left hand to cover her mouth and his face flashed to one of resigned pity and remorse as he drove the blade home between her third and fourth ribs, directly into her heart. There was very little blood, there never was, even though the blade pierced the muscle wall of the heart itself. It was designed precisely to leave little more than a puncture behind. The breath poured from her lungs in one strained gasp, then several shorter ones as she stared up at him with the look that always pained him the most; it wasn’t one of pain, it wasn’t one of betrayal, it was the look of someone who just didn’t understand. They never understood, and he could never explain it to them. He couldn’t bring himself to look away from her beautiful face, her mouth slightly parted in surprise underneath his hand, and those eyes looked up at him in terrified disbelief. As the life drained out of them, he stared into her beautiful blue eyes, some of the most amazing he had ever seen. The kind of blue one would think reserved for gods and kings. The muscles around his mouth tensed for just a moment and he felt a solitary tear, sickeningly appropriate for the solitude he felt in his life, fall down his cheek as the last of the light faded from those dilated cerulean glacial pools. He thought of how he could have so easily lost himself in those eyes under different circumstances, and now he would never have that opportunity. He removed his hand from her mouth, no longer capable of emitting sound, and removed the tear from the path it was taking toward his chin. He brushed it across her cheek, ran his hand down across her eyes to close them, kissed her forehead and said a wordless prayer for her safe and painless passing. To say he regretted what he had to do would be a significant understatement in cases such as this, but he knew there was a reason. There was always a reason.

He let the blade slip back up into his coat sleeve and caught her delicate body as her willowy limbs lost their ability to support her, and her musculature went limp beneath him. He gently slid her body to the floor against the cold, cinder block wall, and crossed her arms over her stomach which would no longer move in pace with her breathing. Her head titled slightly to the right as her body rested on the floor. He wished there was a more graceful way to leave her there, but he knew there wasn’t much he could do once his job was over. He lowered himself down into a crouch before her body on the featureless tile floor, her back resting against the wall, whispered a sincere apology he knew she couldn’t hear, then said another prayer, this time for the little bit of added darkness in his own soul. He brought himself to stand, took one last long look at her and almost allowed himself to wonder why, but he caught himself quickly. He knew there wasn’t room in his life for those kinds of questions. He would miss her, her smile, her voice, and especially her eyes… but it was time for him to leave.

He flipped the switch as he left the small room, leaving her in darkness, probably for at least an hour before anyone found her there, and by then he would be long gone and forgotten to anyone who might have seen him enter or the brief moment in the hall when he first caught her attention. Her name was Katherine, a name which would probably fade with time, but he never forgot their faces, especially in their final moments. There wasn’t a way to erase that from his memory no matter how much he may have wanted to. He did not know what she had done to warrant her fate, and he found it in his greater comfort to never want to know. He turned in the opposite direction from which he had come and directed himself toward the service stairwell at the end of the hall.

He caught that same scent as when he arrived just before he entered the stairwell at the back of the building. He paused with his hand on the door, halfway open, and had the same thought of hurling himself out one of the windows only a few feet to his left before he let the door close behind him and was once again on his way. His job was done here, and he hoped he’d never have any reason to return.

In Lieu of Epic Meal Time and Jenna Marbles This Week, I Offer This Riveting Installation of Editorial Opinion:

Dark SoulsSo, since I was thoroughly unimpressed with the episodes of Jenna Marbles and Epic Meal Time this week, I’ve decided to go a different route and throw my two cents in about two things most of us love; the joys of both music and totally sweet video games.

No doubt some of you, especially the video game fanatics out there have seen the TV spot for the new game coming out called “Dark Souls.” After seeing the spot played a few time while watching some of my favorite nerd shows on SyFy (I still hate the “new” spelling of the goddamn name,) I became intrigued by the choice of music behind the trailer’s stunning visuals. So I did a little digging and discovered what I understand is a relatively new band called The Silent Comedy, and the song featured in the spot is called “Bartholomew.” I’m sure there are also some of you who will say “oh I was way into them before this tv spot, I’m so fucking elite” and to that I answer, suck on my shitpipe you worthless hipster douchebag piece of shit.

Anyway, I did a The Silent Comedy - Common Faultsslight bit of further digging and found their entirely self-produced most recent record called Common Faults (they recorded one prior EP with Atlantic Records, the name of which I am unaware,) which if you like the track “Bartholomew” you should probably acquire legally through their website, as I myself am clearly not an advocate of illegal pirating of music in any way whatsoever. There are videos of theirs scattered all across YouTube which you can find by doing a simple search for “The Silent Comedy.” Against my better judgement I checked out some of their other songs, and despite the fact that they all look like complete trendy hipster douchebags with their stupid little hats, PBR tallboys appearing throughout their videos, mod-esque clothing style and even one particularly intense handlebar mustache, the music is actually pretty decent. And I’m not even the type for this kind of music except that it kind of brings me back to a sort of heavier rendition of a ragtime soul/bluegrass era of music from the deep south. Being from the south myself, I have an appreciation of such things. Also they have a violinist, which scores them points with me. So despite how vehemently my hatred runs deep for their choice of outward appearances and conformity to the newest trendy norm of hipster fashion and aesthetics, I must give them credit for not totally sucking the sweaty ballsack of a donkey in their efforts to make music. Much like I can’t stand the visual appearance of Mumford and Sons, I do thoroughly enjoy their pared-down folksy sound.

Anyway, with that said, I give to you both the Dark Souls trailer featuring their song “Bartholomew” and a longer, unedited cut of the song itself. If you like it, I recommend downloa… er… buying, through completely legal means, their CD entitled Common Faults available from www.thesilentcomedy.com and I’m sure retailers somewhere who still give a shit about music instead of fucking Lady Gaga. (Who just for the record, I would murder with my bare hands if I had half a snowball’s chance in hell of getting away with it.)

DARK SOULS : Bartholomew Trailer

 

The Silent Comedy – Bartholomew [From Dark Souls Trailer] + Lyrics

 

 

[r.b.]

Artists brush up for annual Greeley Park art show – EncoreBuzz.com

www.encorebuzz.com/entertainment/929555-249/artists-brush-up-for-annual-greeley-park.html?CSAuthResp=1234%3A%3A5000%3A1%3A24%3Aapproved%3A0F4585785573305EC4153626DBD917C5

I think I will check this out this weekend. I’d like to talk to this crowd about entering artwork and what it takes to put something like this on in the park.
Id like to throw my own art show with 18-35 year old artists from different backgrounds and ethnicities. Also, a multicultural farmers market would be a great event to have in the park on the same day. Followed by live acoustic music from the folks who play at riverwalk cafe. As well as drum circles, and at night,  live DJ with a light setup. Is this something that can be pulled off in Nashua? I think I’m starting to put together a real sense of what this city needs just by talking to the people in it.

It needs more culture, and alternative entertainment rather than just clubs and bars for 18-35 year olds. This is needed to prevent brain drain. People with good ideas and creativity tend to leave Nashua. The city has a massive drain of young creative talent. The only people putting on or promoting anything in the city, typically, are over 40 or 50. A new influx of fresh creative ideas would really give the city new legs and with smarter Nd more creative young adults staying in Nashua, there could be more development. More growth in housing, more growth in entertainment, more growth in culture, and a better sense of community. So many people in Nashua have developed a “what can I take from the table?” Or “How can I benefit from this?”  mentality, instead of thinking about, “what can I bring to the table?” Or “How can I help the town I love to grow and prosper?” This has made far too many people cynical of any event in this town, causing them not to want to participate in town events, and shutting their ideas out, when we really need them to be active participants. There aren’t many leaders in the community for the 18-35 year old crowd because most of the people with the ability to lead, leave and go to Boston, or Manchester. I left and went to Dover NH. But now that I’m back in this area for a little while, I want to do what I can to make this city great.

Watch “K’NAAN – Take A Minute” on YouTube

A pretty good example of rotoscoping Nimation and a pretty good song too.

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